Directed by Enrico Ghezzi, Alessandro Gagliardo
Production by Matango with Rai Cinema and Luce – Cinecittà in association with Minerva Pictures Group, Cinedora, Parallelo 41 Produzioni
Music by Iosonouncane. The film has many sound improvisation sessions, the saxophones curated by Antonio Raia
Sound by Giuseppe D’Amato, Alessandro Gagliardo, Marco Saitta
a.c.l. by Renato Berta
Producer Gabriele Monaco
Executive producer Armando Andria

EXPERIMENTAL MOVIE – 2022, 196’

Gli ultimi giorni dell’umanità

by Enrico Ghezzi and Alessandro Gagliardo

The panorama of human affairs encounters the “man with a movie camera”. His playground has no boundaries, his curiosity no limits. Characters, situations and places pitch camp in the life of a humanity that is at once the viewer and the thing viewed. But what are the last days of this humanity? Have they already passed? Are they now or still to come? As they wait the astronauts of the Atalante, in their promethean dreams, meet their own image in a bubble of water. Along the passages of steamers in the open sea, a caress, a sign of affection. In the mirror, camera in hand, he checks himself, always uncertainly certain, his own capture inside that short, too short, unit of time. But what we have learnt is that nothing lasts. Everything that they touch turns into time, into action, expectation and hope, Demeter reminds bustling humanity. Fragment of fragments. To make a gesture that eludes melancholy and games in a downright impossible movement. Kraus’s theater on Mars has not yet opened, we were busy anarchiving. And this drama can have no other viewer but humanity.

Gli ultimi giorni dell’umanità

by Enrico Ghezzi and Alessandro Gagliardo



The panorama of human affairs encounters the “man with a movie camera”. His playground has no boundaries, his curiosity no limits. Characters, situations and places pitch camp in the life of a humanity that is at once the viewer and the thing viewed. But what are the last days of this humanity? Have they already passed? Are they now or still to come? As they wait the astronauts of the Atalante, in their promethean dreams, meet their own image in a bubble of water. Along the passages of steamers in the open sea, a caress, a sign of affection. In the mirror, camera in hand, he checks himself, always uncertainly certain, his own capture inside that short, too short, unit of time. But what we have learnt is that nothing lasts. Everything that they touch turns into time, into action, expectation and hope, Demeter reminds bustling humanity. Fragment of fragments. To make a gesture that eludes melancholy and games in a downright impossible movement. Kraus’s theater on Mars has not yet opened, we were busy anarchiving. And this drama can have no other viewer but humanity.

Directed by Enrico Ghezzi, Alessandro Gagliardo
Production by Matango with Rai Cinema and Luce – Cinecittà in association with Minerva Pictures Group, Cinedora, Parallelo 41 Produzioni
Music by Iosonouncane. The film has many sound improvisation sessions, the saxophones curated by Antonio Raia
Sound by Giuseppe D’Amato, Alessandro Gagliardo, Marco Saitta
a.c.l. by Renato Berta
Producer Gabriele Monaco
Executive producer Armando Andria

EXPERIMENTAL MOVIE – 2022, 196’